CLASSICS! JOHN BELTRAN / RON TRENT & CHEZ DAMIER / MIKE HUCKABY / G-MAN / FIX / NOVA NOVA / IN SYNC / ONIRICO /
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Every now and then, we like to feature some of our favorite products. Well, we've got something special here for you today. Get
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BNCK TO LIFE Ron Trent and Chez Damier Morning Factory Dubplate BTLOO1 This vinyl 2020 Back To Life Made in EU Originally released
in 2005 Officially licensed O e 0 ST
Ron Trent and Chez Damier - Morning Factory (dubplate) [Repress]
£12.50
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Cat No: BTL001RP Format: 12" (black vinyl) Genre: Deep House Release Date: 28th September 2020 *REPRESS on BLACK VINYL* The name
"Back To Life" already suggests the direction of the label, an ear to the past with a look to the future. The journey could not
have started better than this: a timeless classic!! Chez says: "The Morning Factory is a true story of the experience of Ron Trent
and Chez Damier in October, the most stimulating periods in the New York Sound Factory Club. The birth of Morning Factory was
created after a fantastic evening at the club. next stop would be Detroit, where the track had been recorded and produced. "
S e 5 e X E 2 2 5 o 4 5 @ i ed o 2 K7 Z H@E e e D A1 - Quo Vadis Original Mix A2 - Quo Vadis D.Diggler Remix B1 - Sparticus
Original Mix This vinyl made in EU 2020 Back To Life Officially licensed 9'1 S 2o RSP ta
G-Man - Quo Vadis
£13.99
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Cat No: BTL002 Format: 12" (black vinyl) Genre: Techno / Minimal Release Date: September 2020 Back in stock: 2nd June 2021 Second
step: G-Man “Quo Vadis”, a track released for the first time in 1995... It had in those years massive support of the greatest
exponents of electronic club music and in a short time, it became a real classic. Now on Back To Life Records returns with
Original Mix + D. Diggler remix (never released on vinyl) + an additional track "Sparticus". Thanks to Gez "LFO" Varley for this
gem. He say about the track: “Quo Vadis was born as the perfect track to mix between a house set to a techno set ,the track was
inspired after the film Quo Vadis and means 'where are you going to?' ".
Py John Beltran pres. Nostalgic Going Home EP 2021 Edition SIDE A 3O A1 - Placid Angles US-756-05-00007 B1 - Detroit Moments
US-756-05-00008 B2 - Going Home US-756-05-00009 o ernational iyl made in EU 2021 Back To IR G
John Beltran pres. Nostalgic - Going Home EP (BLACK VINYL)
£15.28
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Format: 12" Vinyl Catalogue No.: BTL006B Release Date: Nov 2021 Genre: Techno Tracklist Side 1 1. "Placid Angles" (6:31) Side 2 1.
"Detroit Moments" (1:53) 2. "Going Home" (5:59)
Flash From The Ghetto 23RO il: P B - From Tine Ghetto This vinyl made in EU 2021 Back To Life Officially licensed G s
Fix - Flash / From The Ghetto
£14.90
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Format: 12" Vinyl Catalogue No.: BTL009 Release Date: Sep 2021 Genre: Techno / House Tracklist Side 1 1. "Flash" (5:46) Side 2 1.
"From The Ghetto" (5:52)
Nova Nova B eS BTLO10 PR TR B - D.0.C G orzuge mix LR Rt R T R eI M SR 7z
Nova Nova - D.J.G.G.
£10.78
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Format: 12" Vinyl Catalogue No.: BTL010 Release Date: Sep 2021 Genre: House / Deep House
7 e NN 5 R 0 m S I m BN e oYl o i T .nm o s 0 o - il.com backtoliferec@gma info: lly licensed ic 0 iscs ID from Irdia
In Sync - Storm / Pomping World [Purple Vinyl]
£15.28
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Format: 12" Vinyl, Purple Vinyl Catalogue No.: BTL013C Release Date: 22 Feb 2022 Genre: Techno A1. Storm B1. Pomping World Another
release, another gem! Two techno tracks with minimalistic essence of the '90. Roland SH-101s, TR-808 and TR-909: this is what we
need for dance. Don't miss it! For true lovers!
Onirico - Stolen Moments (30th Anniversary Edition)
Onirico - Stolen Moments (30th Anniversary Edition)
£17.26
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Format: 12" Vinyl Catalogue No.: BTL014 Release Date: Mar 2022 Genre: Acid House / Deep House During the 1970s and 1980s, there
was a hustle and bustle of musicians from all over the world, some of whom remained our guests for a few days, in my house. My
father was called Mario Luzzi and he was a journalist and music critic specializing in jazz, it often happened that he took me
with him to listen to concerts, to carry out interviews or to participate in record presentations, I was used to being very late
at night and every day I discovered something new. At the time, his interviews (from Sun Ra to Miles Davis, without forgetting
Herbie Hancock) and the many discographies he edited, were a point of reference for the entire music sector. When he was young, he
started a significant vinyl collection that I still carry on after his untimely death at just fifty-two years old. Another
reference figure was undoubtedly that of my uncle, a professional barman. When he had already been working for a few years at the
Papillon nightclub, a stone’s throw from the Pantheon, I began to frequent that place and to be next to the DJ on the console,
observing him at work, this happened in 1977. Then, in that same discotheque, a second room, much smaller, was opened in the early
1980s, and I stepped forward to manage it on Saturday evenings and Sunday afternoons. I played a bit of everything, from new wave
to black music. I didn’t earn a penny, but I enjoyed it a lot of fun while learning a job and had the chance to meet many people
whose only goal was to dance and have fun. My life as a DJ has been going on for some years and I’m happy to have made thousands
of people dance in clubs such as Black Out, Supersonic and Le Gambit, in Rome and in many other places. I studied piano for many
years, followed by masters such as Enrico Pieranunzi and Martin Joseph, and I also studied harmony, arrangement and electronic
music. For everything else, I relied on my ear. On the record level, in 1985, I composed, arranged and played a track for the
soundtrack of the film “A Me Mi Piace” by Enrico Montesano. Then, in the 1990s, I was asked to make a demo for the remix of Dolce
Vita by Ryan Paris. Once I received the approval from the Dutch label Arcade, I began work on Atari which I completed in Holland
and took the name of Downtown Version. In 1991, I sent UMM a demo with the four tracks and then the DAT with the final mix, the
pseudonym Onirico came to my mind thinking about how my music reminded me of the atmosphere of certain dreams in which I was able
to overlap the typical images of the dreamlike phase with the music itself. For the tracks I used many Roland machines (D-70,
MKS-50, TB-303, TR-909, TR-808, TR-606, DEP-5, S-550, Jupiter-6) as well as a Korg KMS- 30, an Alesis MidiVerb II and an Oberheim
Matrix 1000. The computer was an Atari 1040 STF, while the mixer was a Fostex 1840, to which were added a Simmons SDS8 control
unit, Tannoy TP-1 loudspeakers and other self-built coaxials. No compressor was used and everything was mixed live on a Tascam
DA-30 DAT. I have always adopted this live recording technique in all my records, because I feel it is more human. It took me
almost five months to finalize the tracks, a slowness mainly due to the need to be precise and manic. I was inspired by Ryuichi
Sakamoto, Yellow Magic Orchestra and New Musik. In particular, the final twenty seconds of Herbie Hancock’s Tell Me A Bedtime
Story influenced Stolen Moments in some way. With love… Emanuele Luzzi aka Onirico
Mike Huckaby The Jazz Republic BLEYS o T PR N T PR ARl B2- The Stranger ; L P e s e wwmmh
Mike Huckaby - The Jazz Republic
£16.18
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Format: 12" Vinyl Catalogue No.: BTL015 Release Date: 22 Aug 2022 Genre: Deep House Melodic, powerfull and very deep classic
tracks by Mike Huckaby. Originally released on Cross Section Records in 1997.
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