Introducing Herringbone Necklace: Shop New In at HONU 🛍️✨

Honu sent this email to their subscribers on October 4, 2023.

You need to see this - plus £0.00 next day delivery on all orders *tonight only* ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­

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honu herringbone necklace now live - shop new in Introducing the new Herringbone Stacking Necklace. Embrace the fall season with this must-have accessory. Enjoy *free* next-day delivery on all orders tonight and get yours in time for the weekend.  Use code: SHIPFAST SHOP NOW > silver herringbone stacking necklace free next day delivery gold herringbone stacking necklace - shop now Explore our newest pieces below: free next day delivery - shop new in SHOP NEW IN Free UK Shipping, Recycled Sterling Silver, Sustainable Packaging, 30 Day Returns, Made In England, Ethically Mined Gold, We Give Back To The Ocean, We Help Plant Trees. This is a custom text implemented based on your email statistics and brand characteristics for Shop HONU. Don't change any structure or sentences. The length and exact wording are extremely important. The story begins: We drove hundreds of dusty miles looking at houses that turned out to be in the flood plain of the Tiber or overlooking strip mines. The Siena agent blithely promised that the view would be wonderful again in twenty years; replanting stripped areas was a law. A glorious medieval village house was wildly expensive. The saw-toothed peasant we met in a bar tried to sell us his childhood home, a windowless stone chicken house joined to another house, with snarling dogs lunging at us from their ropes. We fell hard for a farm outside Montisi; the contessa who owned it led us on for days, then decided she needed a sign from God before she could sell it. We had to leave before the sign arrived. As I think back over those places, they suddenly seem preposterously alien and Cortona does, too. Ed doesn't think so. He's in the piazza every afternoon, gazing at the young couple trying to wheel their new baby down the street. They're halted every few steps. Everyone circles the carriage. They're leaning into the baby's face, making noises, praising the baby. “In my next life,” Ed tells me, “I want to come back as an Italian baby.” He steeps in the piazza life: the sultry and buffed man pushing up his sleeve so his muscles show when he languidly props his chin in his hand; the pure flute notes of Vivaldi drifting from an upstairs window; the flower seller's fan of bright flowers against the stone shop; a man with no neck at all unloading lambs from his truck. He slings them like flour sacks over his shoulder and the lambs' eyeballs bulge out. Every few minutes, Ed looks up at the big clock that has kept time for so long over this piazza. Finally, he takes a stroll, memorizing the stones in the street. Across the hotel courtyard a visiting Arab chants his prayers toward dawn, just when I finally can fall asleep. He sounds as though he is gargling with saltwater. For hours, he rings the voice's changes over a small register, over and over. I want to lean out and shout, “Shut up!” Now and then I have to laugh. I look out, see him nodding in the window, a sweet smile on his face. He reminds me so much of tobacco auctioneers I heard in hot warehouses in the South as a child. I am seven thousand miles from home, plunking down my life savings on a whim. Is it a whim? It feels very close to falling in love and that's never really whimsical but comes from some deep source. Or does it? Each time we step out of the cool, high rooms of the hotel and into the sharp-edged sun, we walk around town and like it more and more. The outdoor tables at Bar Sport face the Piazza Signorelli. A few farmers sell produce on the steps of the nineteenth-century teatro every morning. As we drink espresso, we watch them holding up rusty hand scales to weigh the tomatoes. The rest of the piazza is lined with perfectly intact medieval or Renaissance palazzi. Easily, someone might step out any second and break into La Traviata. Every day we visit each keystoned medieval gate in the Etruscan walls, explore the Fiat-wide stone streets lined with Renaissance and older houses and the even narrower vicoli, mysterious pedestrian passageways, often steeply stepped. The bricked-up fourteenth-century “doors of the dead” are still visible. These ghosts of doors beside the main entrance were designed, some say, to take out the plague victims—bad luck for them to exit by the main entrance. I notice in the regular doors, people often leave their keys in the lock. Guidebooks describe Cortona as “somber” and “austere.” They misjudge. The hilltop position, the walls and upright, massive stone buildings give a distinctly vertical feel to the architecture. Walking across the piazza, I feel the abrupt, angular shadows fall with Euclidean purity. I want to stand up straight—the upright posture of the buildings seems to carry over to the inhabitants. They walk slowly, with very fine, I want to say, carriage. I keep saying, “Isn't she beautiful?” “Isn't he gorgeous?” “Look at that face—pure Raphael.” By late afternoon, we're sitting again with our espressi, this time facing the other piazza. A woman of about sixty with her daughter and the teenage granddaughter pass by us, strolling, their arms linked, sun on their vibrant faces. We don't know why light has such a luminous quality. Perhaps the sunflower crops radiate gold from the surrounding fields. The three women look peaceful, proud, impressively pleased. There should be a gold coin with their faces on it. Meanwhile, as we sip, the dollar is falling fast. We rouse ourselves from the piazza every morning to run around to all the banks, checking their posted exchange rates. When you're cashing traveler's checks for a last-minute spree at the leather market, the rate doesn't matter that much, but this is a house with five acres and every lira counts. A slight drop at those multiples makes the stomach drop also. Every hundred lire it falls, we calculate how much more expensive the house becomes. Irrationally, I also calculate how many pairs of shoes that could buy. Shoes, before, have been my major purchase in Italy, a secret sin. Sometimes I'd go home with nine new pairs: red snakeskin flats, sandals, navy suede boots, and several pairs of black pumps of varying heels. Typically, the banks vary in how much commission they bite when they receive a large transfer from overseas. We want a break. It looks like a significant chunk of interest they'll collect, since clearing a check in Italy can take weeks. Finally, we have a lesson in the way things work. Dr. Carta, anxious to close, calls his bank—the bank his father and his father-in-law use—in Arezzo, a half hour away. Then he calls us. “Go there,” he says. “They won't take a commission for receiving the money at all, and they'll give you whatever the posted rate is when it arrives.” His savvy doesn't surprise me, though he has seemed spectacularly uninterested in money the entire time we have negotiated—just named his high price and stuck to it. He bought the property from the five old sisters of a landowning family in Perugia the year before, thinking, he said, to make it a summer place for his family. However, he and his wife inherited property on the coast and decided to use that instead. Was that the case, or had he scooped up a bargain from ladies in their nineties and now is making a bundle, possibly buying coast property with our money? Not that I begrudge him. He's smart. Dr. Carta, perhaps fearing we might back out, calls and asks to meet us at the house. He roars up in his Alfa 164, Armani from stem to stern. “There is something more,” he says, as though continuing a conversation. “If you follow me, I will show you something.” A few hundred feet down the road, he leads us up a stone path through fragrant yellow broom. Odd, the stone path continues up the hill, curving along a ridge. Soon we come to a two-hundred-degree view of the valley, with the cypress-lined road below us and a mellow landscape dotted with tended vineyards and olive groves. In the distance lies a blue daub, which is Lake Trasimeno; off to the right, we see the red-roofed silhouette of Cortona cleanly outlined against the sky. Dr. Carta turns to us triumphantly. The flat paving stones widen here. “The Romans—this road was built by the Romans—it goes straight into Cortona.” The sun is broiling. He goes on and on about the large church at the top of the hill. He points out where the rest of the road might have run, right through Bramasole's property. Back at the house he turns on an outside faucet and splashes his face. “You'll enjoy the finest water, truly your own abundant acqua minerale, excellent for the liver. - All rights belong to the book "Under the Tuscan Sun" by Frances Mayes. The story ends. This text is here only as a placeholder to improve delivery. Please do not edit any of the text. I wish you a pleasant day.
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